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The Oresteia (Agamemnon, The Libation Bearers, and The Eumenides), by Aeschylus
Get Free Ebook The Oresteia (Agamemnon, The Libation Bearers, and The Eumenides), by Aeschylus
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Product details
Paperback: 150 pages
Publisher: Digireads.com (August 9, 2015)
Language: English
ISBN-10: 1420951076
ISBN-13: 978-1420951073
Product Dimensions:
5.5 x 0.4 x 8.5 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
45 customer reviews
Amazon Best Sellers Rank:
#130,712 in Books (See Top 100 in Books)
These plays are among the founding documents of Western Civilization, dramatizing the movement from bloody tribal revenge to a community of justice based on law. A good translation is essential to understanding them, and these translations are good.Compare the first lines of the Agamemnon from the older Lattimore version published by the University of Chicago:"I ask the gods some respite from the weariness of this watchtime measured by years I lie awake elbowed upon the Atriedaes' roof dogwise to mark the grand processionals of all the stars of night burdened with winter and again with heat for men. dynasties in their shining blazoned on the air, these stars, upon their wane and when the rest arise."with the same lines from that of Alan Shapiro in this Oxford University Press volume:"I beg the gods to deliver me at last from this hard watch I've kept now for a year upon the palace roof of the Atreidae, dog-like, snout to paws, night after long night, studying the congress of the stars, the unignorable bright potentates that bring down through the night sky to us here below, the summer now, and now the winter, eternal even as they wane and rise."I don't know which version is more faithful to the original, although I understand that Ancient Athenian Greek is so different from Modern English that any attempt at translation is highly problematic, some would even say impossible. Still, most of us aren't going to learn Ancient Greek, so if we are to read these plays at all we need translations, approximate as they may be. The best a translator may be able do is to render the original into a version that is understandable and can be enjoyed by the educated reader. Shapiro's Oxford version is quite clear and understandable Modern English poetry, and I have enjoyed reading it, which was definitely NOT the case with Lattimore's.The copious end notes in this edition are also quite helpful.epops
The Oresteia is one the oldest tragedies we have. It is, of course, foolish to award this book anything less than five stars as it is one of Western Civilization's gems. This trilogy of plays deals with the murder of Agamemnon, the revenge by his son Orestes, and then Orestes' persecution and trial by the Erinyes: complex figures who can be thought of as personified curses.The major theme that spans across all three plays is the long arc of justice and the misfortune that befalls the household of anyone who violates the laws of the gods. Agamemnon's family is surely a cursed one, as generation after generation kill each other in retribution for the previous one's crimes.Another idea that I found interesting in the last play was Orestes' challenge of the Erinyes' sense of justice- that he acted justice in enacting revenge and that he should be exempt from the laws which have hitherto governed all of mankind. On what justification can mankind rebuke the gods and their doctrines? If the gods have a role in supporting society, as the Erinyes say they do, on what justification can we challenge the laws of our state when we know we've violated them?This particular edition of The Oresteia, the red one translated by Hugh Lloyd-Jones, is remarkable. There are extensive notes on each of the pages which are scholarly. For instance, they may explain how the ancient Greeks viewed etymology, and why the name "Helen" had a significant meaning to the Greeks because the root of "Helen" means destruction and because of Helen's responsibility for all of the destruction of the Trojan War. The notes will often explain to the reader the difference of the way Greeks viewed suffering, and how modern Christianity should not be used in interpreting passages to mean that suffering causes purifying. Rather, the suffering is merely a teacher that forces the recipient of understand his wrongdoing. The notes will also indicate where the original Greek text is either incomplete or corrupt.Taken as a whole, the notes comprise about half the length of this book. It can be overwhelming at first, but it allows for serious study. Also, the notes are at the bottom of the pages for easy reference.I highly recommend this copy of The Oresteia, especially if you're looking to return to this book many times over the course of your lifetime.
Avoid this travesty like the plague.Were Aeschylus alive, he'd sue this company for defamation of his poetry, which when performed by professionals (i.e. the like of Paul Scofield or Ian McKellen, or Diana Rigg) mesmerises and horrifies the listener as the complex plot tightens upon the protagonists, reaches its point of no return, and then loosens its grip, lapsing into the utmost simplicity of language.To borrow the gist of Aeschylus' words given to the Watchman: I'll say no more, but the House itself, if it could speak, might speak plainly. A great Ox stands on my tongue.I wish it had stood on theirs!
This book was required for a western literature course. my only complaint is there are no line numbers. it is considered poetry. when referencing for papers the instructor wanted line numbers. i got points off for that. other than that, i prefer the older English terminology and the use of the Greek names. i understand other translations use the roman names. the main thing i like about this version is it doesn't have 4 pages of someone's opinion of what 2 lines mean between each line. the reader is allowed to draw their own conclusions.It was also a nice surprise to find the librivox.org audio recording is the same version. being dyslexic it makes reading easier to hear it simultaneously.
Beautiful copy of an important work. Vert secure packaging and prompt delivery. Great job!
I am listening to this with my 8th grade daughter. We are both finding it much more interesting than we thought we would, and easier to follow than we expected. The different voices make the characters easy to tell apart, and the actors and actresses are all quite good. We especially liked whoever played Cassandra. We were afraid this might be dry and boring, but it is most definitely not. It is full of emotion and is actually captivating.
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